https://nataliebraido.com Natalie Braido Wed, 18 Mar 2026 18:50:25 +0000 https://nataliebraido.com en https://nataliebraido.com/Sobre-About-1 Sat, 05 Sep 2020 23:50:39 +0000 Natalie Braido https://nataliebraido.com/Sobre-About-1 Natalie Braido (São Paulo, 1996) explora e questiona o conceito de tempo em sua obra. Experimenta com tecnologias, utilizando mecanismos e materiais que abordam a impermanência e os limites do mundo material. Sua prática considera aspectos biológicos e simbólicos da natureza, combinando materiais efêmeros ecotidianos para criar sistemas que investigam a poética da mutabilidade, instabilidade e falha. Natalie Braido (São Paulo, 1996) explores and questions the concept of time in her work. She experiments with technologies, employing mechanisms and materials that address impermanence and the boundaries of the material world. Her practice considers both the biological and symbolic aspects of nature, combining ephemeral and everyday materials to create systems that investigate the poetics of mutability, instability, and failure. Formação Acadêmica | Education 2019 Bacharelado e Licenciatura em Artes Visuais, UNESP, São Paulo2019 Bachelor’s and Teaching Degree in Visual Arts, UNESP, São PauloResidências | Residencies 2026 Art &amp; Science Residencies, Embassy of Foreign Artists (EoFA)2025 Pivo Salvador Exposições individuais | Solo shows 2025 Diagrama de Fases - Marli Matsumoto, São Paulo Exposições Duo | Duo shows 2025 Dois (com Marcius Galan) - Marcius Galan Studio, São Paulo Exposições coletivas | Group shows 2026 FI-SCI [The fiction of Science Fiction], Coleção Moraes Barbosa, São Paulo 2026 Que Beleza - Luisa Strina - São Paulo, São Paulo2026 Impulso - Piscina #2 - Galeria Superfície, São Paulo 2025 To See the Earth at the End of the World - Projeto Fidalga, São Paulo 2024 15 Esculturas - FESPSP, São Paulo 2024 Eu desejo todas as coisas que vão me destruir no final - &nbsp; Quaseespaço, São Paulo 2024 Refundação - ReOcupa - Museu da Inconfidencia Mineira, Minas Gerais2024 SP Arte Rotas Brasileiras - Marli Matsumo - São Paulo2024 Cheque-mate - Delirium - São Paulo2024 Lua Nova - Marli Matsumoto - São Paulo2024 Nova Bella 86 - Rio de Janeiro 2024 Retomada - Quaseespaço - São Paulo2023 O caminho do meio - Marli Matsumoto - São Paulo 2023 festa natal como eu te amo - São Paulo2023 E SE - GDArtistas - São Paulo2023 Museum - Instituto Artium - São Paulo 2023 Pista Quente e Atelie397 - São Paulo 2022 Silêncio dos Espaços Infinitos - Massapê - São Paulo 2022 Vivemos para isso - Vozes Agudas - Ateliê 397, Galeria Vermelho - São Paulo 2022 Padaria Pintura - São Paulo 2022 Hora grande - RADAR SPArte, São Paulo 2021 Estamos Aqui - SESC Pinheiros, São Paulo 2021 Rodízio - Aindabrasil, São Paulo 2020&nbsp;Virtualizando a produção artística - aarea.co e SESC 2020 aindamtnada - www.aindamtnada.com 2019 Bacharelado e licenciatura em Artes Visuais - UNESP, São Paulo 2019 Bachelor’s and licentiate degree in Fine Arts - UNESP, São Paulo 2019 Funeral Piscininha - Ateliê Piscininha, São Paulo2019 Parabéns: Dia - Sobreloja do Edifício Tinguá, São Paulo2019 Abre Alas 15 - A Gentil Carioca, Rio de Janeiro2019 Art Fair Casa Parte - Feira Parte, São Paulo2018 Um Cômodo Bem Pequeno - UNESP, São Paulo 2018 Residency at Fundação Marcos Amaro, São Paulo2017 Exposição 7 quadros, 3 instalações, 2 objetos e uma carranca - Ateliê 397, São Paulo2017 Mirante - Oficina Cultural Oswald de Andrade, São Paulo2017 Almoço de domingo - Ateliê 397, São Paulo2016 Residency at Fundação Marcos Amaro, São Paulo2016 50 anos UNESP - UNESP, São Paulo2015 L.O.T.E. - Lugar, Ocupação, Tempo, Espaço - UNESP, São Paulo Publicações | Publications 2026 Impulso - Piscina #2 2021&nbsp;Estamos Aqui - SESC Pinheiros nataliebraido@gmail.com https://nataliebraido.com/Homepage-1 Sat, 05 Sep 2020 23:50:39 +0000 Natalie Braido https://nataliebraido.com/Homepage-1 <img width="2953" height="4430" width_o="2953" height_o="4430" 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src="https://freight.cargo.site/w/1000/i/dff178cd431f98fea506d5879956adfaab9df64ca6e2d3790401bae898c1cecf/NB1019-2.jpg" /> https://nataliebraido.com/sem-titulo-untitled-1 Wed, 18 Mar 2026 18:50:25 +0000 Natalie Braido https://nataliebraido.com/sem-titulo-untitled-1 <img width="4477" height="6107" width_o="4477" height_o="6107" data-src="https://freight.cargo.site/t/original/i/dd3221f329182a1994f364e857649892019b5a4aee35e91453af53080d843c6c/Natalie_Braido2EdouardFraipont08092025.jpg" data-mid="246219830" border="0" src="https://freight.cargo.site/w/1000/i/dd3221f329182a1994f364e857649892019b5a4aee35e91453af53080d843c6c/Natalie_Braido2EdouardFraipont08092025.jpg" /> Sem título, 2025motor térmico com fio de nitinol e hodômetro mecânicodimensões variáveisUm motor térmico ativado por diferenças de temperatura. Converte variações térmicas em movimento mecânico, acionando um hodômetro modificado. Seu funcionamento depende da presença de um gradiente térmico. Quando exposto à água fria, esse gradiente colapsa e o movimento se interrompe. Untitled, 2025thermal motor with nitinol wire and mechanical odometervariable dimensions A thermal motor activated by temperature differences. It converts thermal variations into mechanical movement, driving a modified odometer. Its operation depends on the presence of a temperature gradient. When exposed to cold water, this gradient collapses and the movement stops. https://nataliebraido.com/lente-de-fresnel-fresnel-lens Wed, 18 Mar 2026 18:50:07 +0000 Natalie Braido https://nataliebraido.com/lente-de-fresnel-fresnel-lens <img width="5208" height="7811" width_o="5208" height_o="7811" data-src="https://freight.cargo.site/t/original/i/6a39d751755891c89bd9791f08d627c541ccf6ff158c9c7ca7d1187831ae526b/Natalie_Braido1EdouardFraipont08092025.jpg" data-mid="246219833" border="0" src="https://freight.cargo.site/w/1000/i/6a39d751755891c89bd9791f08d627c541ccf6ff158c9c7ca7d1187831ae526b/Natalie_Braido1EdouardFraipont08092025.jpg" /> Lente Fresnel, 2025 lente fresnel, janela dimensões variáveisUma lente Fresnel posicionada diante de uma janela, originalmente projetada para concentrar luz e calor solar, como uma lupa que direciona o sol para o interior do espaço expositivo. No contexto da instalação, o dispositivo desloca sua função e passa a distorcer a imagem da rua: a paisagem se inverte, intensificando a incidência de luz e desorganizando a percepção do exteriorFresnel Lens, 2025Fresnel lens, windowvariable dimensions A Fresnel lens positioned in front of a window, originally designed to concentrate solar light and heat, like a magnifying glass directing sunlight into the exhibition space. In the context of the installation, the device shifts its function and begins to distort the image of the street: the landscape inverts, intensifying light incidence and displacing perception. <img width="8123" height="5415" width_o="8123" height_o="5415" data-src="https://freight.cargo.site/t/original/i/10942a7e7986cc8dd93ec39f9a5c0cc44eb1d74c4407c1486d2c05d035b02ae3/Natalie_Braido6EdouardFraipont08092025.jpg" data-mid="246550021" border="0" src="https://freight.cargo.site/w/1000/i/10942a7e7986cc8dd93ec39f9a5c0cc44eb1d74c4407c1486d2c05d035b02ae3/Natalie_Braido6EdouardFraipont08092025.jpg" /> https://nataliebraido.com/wavelenght Wed, 18 Mar 2026 18:49:52 +0000 Natalie Braido https://nataliebraido.com/wavelenght <img width="4568" height="3137" width_o="4568" height_o="3137" data-src="https://freight.cargo.site/t/original/i/dff178cd431f98fea506d5879956adfaab9df64ca6e2d3790401bae898c1cecf/NB1019-2.jpg" data-mid="246219341" border="0" src="https://freight.cargo.site/w/1000/i/dff178cd431f98fea506d5879956adfaab9df64ca6e2d3790401bae898c1cecf/NB1019-2.jpg" /> Wavelenght, 2025fotografia analogica durante mergulhando32 x 48.7 cm Produzida em imersão, a imagem parte de uma condição de superexposição do filme analógico. A água distorce e filtra a luz, alterando o registro da cor.&nbsp;Wavelength se refere a esse comportamento e ao mergulho: em profundidade, as cores desaparecem; na superfície, ainda se mantêm. A imagem registra essa variação. Wavelenght, 2025analog photography during a dive32 x 48.7 cmProduced while submerged, the image stems from a condition of overexposure in analog film. Water distorts and filters light, altering the way color is recorded.&nbsp;Wavelength refers to this behavior and to diving: at depth, colors disappear; at the surface, they remain. The image registers this variation. https://nataliebraido.com/lagrimas-de-rupert-ruperts-teardrops Wed, 18 Mar 2026 18:47:24 +0000 Natalie Braido https://nataliebraido.com/lagrimas-de-rupert-ruperts-teardrops <img width="5504" height="8256" width_o="5504" height_o="8256" data-src="https://freight.cargo.site/t/original/i/088d75e8ac6e3b4773e7b09c2afd9d008415ccd89d856f6bdcf3518f05e1c5c9/Natalie_Braido3EdouardFraipont24052025.jpg" data-mid="246219214" border="0" src="https://freight.cargo.site/w/1000/i/088d75e8ac6e3b4773e7b09c2afd9d008415ccd89d856f6bdcf3518f05e1c5c9/Natalie_Braido3EdouardFraipont24052025.jpg" /> Lágrimas de Rupert, 2025 vidro e cabo de açodimensões variáveis Um sistema de gotas de vidro temperado sob tensão. Cada elemento contém tensões residuais geradas por resfriamento rápido, estabilizando o material em um estado metaestável. A estrutura se mantém até que uma perturbação mínima desencadeie sua ruptura total. Rupert’s tear, 2025 glass and steel cable variable dimensionsA system of tempered glass drops under tension. Each element contains residual stress generated through rapid cooling, stabilizing the material in a metastable state. The structure holds until minimal disturbance triggers total rupture. <img width="5293" height="7939" width_o="5293" height_o="7939" data-src="https://freight.cargo.site/t/original/i/a81a3d133a20429dd2d666e78d732acc8db639705cc896f16ba0f5fb7881fee1/NB1016-1.jpg" data-mid="246219303" border="0" src="https://freight.cargo.site/w/1000/i/a81a3d133a20429dd2d666e78d732acc8db639705cc896f16ba0f5fb7881fee1/NB1016-1.jpg" /><img width="7610" height="5293" width_o="7610" height_o="5293" data-src="https://freight.cargo.site/t/original/i/e4829fd862a82e276fd2795220d62f25d223fbb6dde8ec77bcfbd33265dc652c/NB1016.jpg" data-mid="246219301" border="0" src="https://freight.cargo.site/w/1000/i/e4829fd862a82e276fd2795220d62f25d223fbb6dde8ec77bcfbd33265dc652c/NB1016.jpg" /> https://nataliebraido.com/dumbo Wed, 18 Mar 2026 18:47:22 +0000 Natalie Braido https://nataliebraido.com/dumbo <img width="4055" height="6082" width_o="4055" height_o="6082" data-src="https://freight.cargo.site/t/original/i/24e0441d1b18d155fe65657b25663521c43fccc226fd27c217cec19785392020/NB1017.jpg" data-mid="246217376" border="0" src="https://freight.cargo.site/w/1000/i/24e0441d1b18d155fe65657b25663521c43fccc226fd27c217cec19785392020/NB1017.jpg" /> Dumbo, 2025 aerogel e pena de avestruz 45 x 53 x 7 cm Uma pena de avestruz sustenta um bloco de aerogel, composto majoritariamente por ar. A estrutura se mantém a partir de uma relação improvável entre suporte e carga. Dumbo, 2025 aerogel and ostrich feather 45 x 53 x 7 cmA feather from an ostrich supports a block of aerogel, composed mostly of air. The structure is maintained through an improbable relation between support and load. <img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/2b92ee9fdbce950ce259da9bdbcc8eeb0de51763b68a3a7974a570e8882d3988/Natalie_Braido9EdouardFraipont24052025Mid.jpg" data-mid="246218331" border="0" src="https://freight.cargo.site/w/1000/i/2b92ee9fdbce950ce259da9bdbcc8eeb0de51763b68a3a7974a570e8882d3988/Natalie_Braido9EdouardFraipont24052025Mid.jpg" /> https://nataliebraido.com/ambar-amber Wed, 18 Mar 2026 18:47:19 +0000 Natalie Braido https://nataliebraido.com/ambar-amber <img width="5439" height="8159" width_o="5439" height_o="8159" data-src="https://freight.cargo.site/t/original/i/e2a49d65b6c258ea6decd4b4d6eb321aa17f60334e057eb6e7a206dc4148d511/Natalie_Braido5EdouardFraipont24052025.jpg" data-mid="246217080" border="0" src="https://freight.cargo.site/w/1000/i/e2a49d65b6c258ea6decd4b4d6eb321aa17f60334e057eb6e7a206dc4148d511/Natalie_Braido5EdouardFraipont24052025.jpg" /> Âmbar, 2025aquecedor elétrico com elemento de aquecimento substituído por LEDs de alta intensidade, instalado diante de uma lareira desativadadimensões variáveis Um aquecedor elétrico é posicionado diante de uma lareira desativada, emitindo luz em vez de calor. O elemento de aquecimento é substituído por LEDs de alta intensidade, produzindo um brilho âmbar que simula o fogo enquanto desloca sua função. Amber, 2025 eletric heater with heating element replaced by high-intensity LEDs, installed facing a deactivated fireplace variable dimensions An electric heater is positioned in front of a deactivated fireplace, emitting light instead of heat. The heating element is replaced by high-intensity LEDs, producing an amber glow that simulates fire while displacing its function. <img width="8042" height="5361" width_o="8042" height_o="5361" data-src="https://freight.cargo.site/t/original/i/4fcdc4fa2ab32cda1bb5faf2fee5971bf8c2c5cea0d1decf5cb65625bb89b98b/Natalie_Braido10EdouardFraipont24052025Mid.jpg" data-mid="246217083" border="0" src="https://freight.cargo.site/w/1000/i/4fcdc4fa2ab32cda1bb5faf2fee5971bf8c2c5cea0d1decf5cb65625bb89b98b/Natalie_Braido10EdouardFraipont24052025Mid.jpg" /> https://nataliebraido.com/circulo-circle Fri, 11 Sep 2020 23:14:33 +0000 Natalie Braido https://nataliebraido.com/circulo-circle &nbsp; &nbsp; A forma da circunferência no chão é feita com o meu próprio corpo, posicionando-me no centro do círculo dou um passo e meio e marco os pontos com a grama aparada. Eu continuamente executo os passos do centro para a borda, criando uma relação de linha entre onde meu corpo estava e sua expansão-repercussão-eco-limite, até que possa começar a ver a forma do círculo. Então ajusto a grama até que esteja suficientemente linear. &nbsp; &nbsp; A grama é cortada em ambiente externo por outra pessoa, com quem não tenho nenhuma relação, e depois acomodada em um espaço interior. Havendo então um procedimento ritualístico, que incorpora a energia humana e realoca os elementos da paisagem. Surgindo de fora para dentro, e num segundo momento de dentro para fora. &nbsp; &nbsp; Penso na transitoriedade e no vazio. Algo que já não cresce mais cria um espaço próprio e altera o espaço circundante, fazendo com que as pessoas desviem ou invadam sua forma. &nbsp; &nbsp; &nbsp; &nbsp; The size of the circumference on the floor is made using my own body, by positioning myself in the center of the circle I take a step and a half and mark with mown grass my own measurement. I continually perform the steps from the center to the border, until I can begin to see the shape of the circle. Then I adjust the grass until it is straight enough. &nbsp; &nbsp; The grass is cut by somebody other than myself, that I don't have any relation to, and then disposed in an interior space. There is something ritualistic about it, and that demonstrates how human energy creates something and relocates its objects. It’s also about transience and vacuity. &nbsp; &nbsp; Something that no longer grows creates a space of its own and alters the surrounding space, making people either detour or invade its form. &nbsp; &nbsp; The action of displacing the grass holds some resemblance to the making of a nest, except for its human dimensions and the inexistence of a life inside, even though life can be sensed as the applied energy in it, because of its form, it has a structured presence. &nbsp; &nbsp; This fragile and shapeless element creates an existence that is vapid and free, but also strong and constrained. It incorporates the paradox of nature with and without its force and life.&nbsp; <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/650f9de3e5ccafa2faed1f7d994e8441bfb468dccd02172f08017e453a8753db/NB_BREU_00_1---circulofinal.jpg" data-mid="82464564" border="0" src="https://freight.cargo.site/w/1000/i/650f9de3e5ccafa2faed1f7d994e8441bfb468dccd02172f08017e453a8753db/NB_BREU_00_1---circulofinal.jpg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/d5d8c1eceff9cf5f62956d1c5fa7dd9dfc823b2378b6e52913daa98eb5e7ca33/NB_BREU_00_1---circulofinal2.jpg" data-mid="82464578" border="0" src="https://freight.cargo.site/w/1000/i/d5d8c1eceff9cf5f62956d1c5fa7dd9dfc823b2378b6e52913daa98eb5e7ca33/NB_BREU_00_1---circulofinal2.jpg" /> Círculo, 2016 grama usada ao ar livre cortada por aparador, círculo feito a partir de três passos 400 Ø cm Circle, 2016grass used outdoors cut by trimmer, circle made from three steps400 Ø cm Foto|Photo: Julia Thompson https://nataliebraido.com/12-gemas-enfileiradas-12-egg-yolks-in-a-row Fri, 11 Sep 2020 23:14:33 +0000 Natalie Braido https://nataliebraido.com/12-gemas-enfileiradas-12-egg-yolks-in-a-row <img width="788" height="762" width_o="788" height_o="762" data-src="https://freight.cargo.site/t/original/i/648d85f33de1b51c66c1dea787849be368c54f2a5382a793c700222faab07370/gifgemas3.gif" data-mid="82466074" border="0" data-scale="66" src="https://freight.cargo.site/w/788/i/648d85f33de1b51c66c1dea787849be368c54f2a5382a793c700222faab07370/gifgemas3.gif" /> &nbsp; &nbsp; 12 gemas enfileiradas é um trabalho no qual se dispõe uma dúzia de ovos em 1 metro. É visível neste trabalho a vontade de dar forma a algo mole, maleável, pouco moldável. Como se conforma o orgânico a uma medida padrão? Existe um certo tom de brincadeira com a materialidade da escultura. Se contrapõe forma e conteúdo, a seriação feita com gemas de ovo caipira, material tão delicado, cria uma linha. Encontra-se um jogo entre dispersão de um conteúdo que antes habitava uma casca e caixa de ovos, agora sendo destrinchado e fazendo parte de um novo todo. &nbsp; &nbsp; Tempo e cor também são questões presentes no trabalho, os diferentes tons de amarelo são realçados quando postos um ao lado do outro, e a medida que o tempo passa, as gemas que não habitam mais sua casca, ou seja, não estão mais protegidas, passam agora a sofrer os efeitos do mundo externo, ficando aos poucos, podres. &nbsp; &nbsp; 12 egg-yolks in a row is a work in which a dozen eggs are placed equidistantly along one meter. What is evident in this work is the desire to shape something soft, malleable yet not moldable. How does an organic compound conform to a standard measurement? There is a certain game with the materiality of the sculpture. By opposing form and content, the serialization made with egg yolks, a delicate material, creates a line. There is also a game between the dispersion of a compound that used to inhabit a shell, now liberated and forming part of a new whole. &nbsp; &nbsp; Time and color are also important issues in this work, the different shades of yellow are contrasted when placed side by side, and as time passes, the egg-yolks that no longer inhabit their shell, that is - are no longer protected, now suffer the effects of the external world, gradually becoming rotten. <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/29c2b7130639c85b81c3574145b6ca65cddd7c73ec39cea510796425386b57dd/NB_BREU_4.jpg" data-mid="82465356" border="0" src="https://freight.cargo.site/w/1000/i/29c2b7130639c85b81c3574145b6ca65cddd7c73ec39cea510796425386b57dd/NB_BREU_4.jpg" /> 12 gemas enfileiradas, 2016 dúzia de gemas de ovo caipira 3 x 100 x 5 cm12 egg-yolks in a row, 2016 dozen free-range egg yolks 3 x 100 x 5 cm <img width="7949" height="5299" width_o="7949" height_o="5299" data-src="https://freight.cargo.site/t/original/i/a910141d7a724c87078510d9597e07e82f0d76a41f7399948bf4cd6bd7260eaa/NB_BREU_4_dia-2.jpg" data-mid="82465342" border="0" src="https://freight.cargo.site/w/1000/i/a910141d7a724c87078510d9597e07e82f0d76a41f7399948bf4cd6bd7260eaa/NB_BREU_4_dia-2.jpg" /> <img width="7949" height="5299" width_o="7949" height_o="5299" data-src="https://freight.cargo.site/t/original/i/a9f74480b2c61754218e63d52576986db385d82104157080cf081b119c8dca06/NB_BREU_4_dia-11.jpg" data-mid="82465351" border="0" src="https://freight.cargo.site/w/1000/i/a9f74480b2c61754218e63d52576986db385d82104157080cf081b119c8dca06/NB_BREU_4_dia-11.jpg" /> <img width="7949" height="5299" width_o="7949" height_o="5299" data-src="https://freight.cargo.site/t/original/i/bff65974b778f573f171391e10d749a03fe582f681e732245ad0798fd679a37a/NB_BREU_4_dia-8.jpg" data-mid="82465348" border="0" src="https://freight.cargo.site/w/1000/i/bff65974b778f573f171391e10d749a03fe582f681e732245ad0798fd679a37a/NB_BREU_4_dia-8.jpg" /> <img width="7949" height="5299" width_o="7949" height_o="5299" data-src="https://freight.cargo.site/t/original/i/c728e01d8eac3d013b570d546f5857237c064d7099073c83bdc9c2177ec9f1ed/NB_BREU_4_dia-4.jpg" data-mid="82465344" border="0" src="https://freight.cargo.site/w/1000/i/c728e01d8eac3d013b570d546f5857237c064d7099073c83bdc9c2177ec9f1ed/NB_BREU_4_dia-4.jpg" /> <img width="7949" height="5299" width_o="7949" height_o="5299" data-src="https://freight.cargo.site/t/original/i/7a2f9b53610ebfb0d6ea548d537bcabe303456ede9f47f37172b205ce878f170/NB_BREU_4_dia-14.jpg" data-mid="82465354" border="0" src="https://freight.cargo.site/w/1000/i/7a2f9b53610ebfb0d6ea548d537bcabe303456ede9f47f37172b205ce878f170/NB_BREU_4_dia-14.jpg" /> <img width="7949" height="5299" width_o="7949" height_o="5299" data-src="https://freight.cargo.site/t/original/i/c80f3e8eb386bb0c1b678bee7c3f10a544770f1b9e42d43fe66fc7f2b80b0d81/NB_BREU_4_dia-15.jpg" data-mid="82465355" border="0" src="https://freight.cargo.site/w/1000/i/c80f3e8eb386bb0c1b678bee7c3f10a544770f1b9e42d43fe66fc7f2b80b0d81/NB_BREU_4_dia-15.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/c3fab9184fcb0921e005a87b29498618762228b3ad77ec00f0d7001bc06c1ed8/gifgemas.gif" data-mid="82466072" border="0" src="https://freight.cargo.site/w/1000/i/c3fab9184fcb0921e005a87b29498618762228b3ad77ec00f0d7001bc06c1ed8/gifgemas.gif" /> Foto|Photo: Julia Thompson